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John Mayal mp3 DVD#1
Product Description
John Mayall DVD#1/3
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MUZ02A0176
38 mp3 albums (1965-1978) 423 mp3 songs Total Time: 31:27:33
GENRE: Rock, Blues-Rock
01 - John Mayall - John Mayall Plays John Mayall (1965)
02 - John Mayall - BBC 60 (1965-1967)
03 - John Mayall - Bluesbreakers With Eric Clapton (1966)
04 - John Mayall - A Hard Road (1967)
05 - John Mayall - Crusade (1967)
06 - John Mayall - Raw Blues (1967)
07 - John Mayall - The Blues Alone (1967)
08 - John Mayall - Bare Wires (1968)
09 - John Mayall - Blues From Laurel Canyon (1968)
10 - John Mayall - Steppin' Out An Introduction To John Mayall (1968)
11 - John Mayall - The Diary Of A Band, Vol.1 (1968)
12 - John Mayall - The Diary Of A Band, Vol.2 (1968)
13 - John Mayall - Beano's Boys (1969)
14 - John Mayall - Blues Giant CD1 (1969)
15 - John Mayall - Blues Giant CD2 (1969)
16 - John Mayall & The Bluesbreakers – Live 2CD [Selected] (1969)
17 - John Mayall's Bluesbreakers - Beano's Boys (1969)
18 - John Mayall - Live 2CD [Selected] (1969)
19 - John Mayall - Looking Back (1969)
20 - John Mayall - Primal Solos (1969)
21 - John Mayall - The Turning Point (1969)
22 - John Mayall - Empty Rooms (1970)
23 - John Mayall - USA Union (1970)
24 - John Mayall - Back To The Roots (1971)
25 - John Mayall - Memories (1971)
26 - John Mayall - Thru The Years (1971)
27 - John Mayall - Gothenburg Sweden 1972 FM Broadcast (1972)
28 - John Mayall - Jazz Blues Fusion (1972)
29 - John Mayall - Moving On (1973)
30 - John Mayall - Ten Years Are Gone (1973)
31 - John Mayall - The Latest Edition (1974)
32- John Mayall - New Year, New Band, New Company (1975)
33 - John Mayall - Notice To Appear (1995)
34 - John Mayall - A Banquet In Blues (1976)
35 - John Mayall - A Hard Core Package (1977)
36 - John Mayall - Lots Of People (1977)
37 - John Mayall - Primal Solos (1977)
38 - John Mayall - The Last Of The British Blues (1978)
John Mayall, OBE (born 29 November 1933) is a pioneering English blues singer, songwriter, and multi-instrumentalist. His musical career spans over fifty years but the most notable episode in it occurred during the late '60s. He was the founder of John Mayall & the Bluesbreakers and has been influential in the careers of many instrumentalists, including Eric Clapton, Jack Bruce, Peter Green, John McVie, Mick Fleetwood, Mick Taylor, Don "Sugarcane" Harris, Harvey Mandel, Larry Taylor, Aynsley Dunbar, Jon Hiseman, Dick Heckstall-Smith, Andy Fraser, Johnny Almond, Jon Mark, Walter Trout,Coco Montoya, and Buddy Whittington.
Product Reviews
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ALBUM REVIEW: John Mayall - Primal Solos (1977)
Posted by William Ruhlmann & Admin on 7th Feb 2010
This archival anthology of ahead unreleased actual comes from three sources: Side One is a reside date at the Flamingo Club in London recorded in April, 1966, and featuring an copy of John Mayall's Bluesbreakers with Eric Clapton on guitar, Jack Bruce on bass, and Hughie Flint on drums. Two songs on Side Two were recorded in Brighton, England, in May, 1968, and affection a seven-piece Bluesbreakers with "the admirable Mickey Taylor on guitar." And the final song comes from a Swedish gig in December, 1968, by which time Mayall had revamped the bandage and angry it aback into a quartet, application Taylor. Sound superior is iffy, the song alternative is accustomed over to dejection abstract ("I'm Your Hoochie Coochie Man") on Side One and Mayall originals on Side Two, and on the accomplished this anthology seems to represent the basal of the butt in agreement of digging up old Mayall/Clapton tracks.
This is a actual absorbing Mayall anthology showcasing the talents of Eric Clapton and Mick Taylor beneath Mayall's mentorship. Their are a brace of advance after any guitar leads as well.
If you are a apprentice of 60s guitar arena you will wish to apprehend this. Clapton plays a adaptation of "Have You Ever Loved a Woman" that is air-conditioned on this CD. You would affirm that he has adapted himself into Freddie King for the gig. Mick Taylor stretches out for a actual continued abandoned and explores (probably invents) sitar like dejection guitar.
Far from this CD "representing the basal of the butt in agreement of digging up old Mayall/Clapton tracks", this set of music is frequently ablaze in execution. Clapton's arena is at its aiguille of bite and fluidity, and exhibits the alteration from the Bluesbreakers CD to Cream. We aswell get a adumbration of the Clapton/Bruce collaborative accomplishment on "Hoochie Coochie Man". The Mick Taylor contributions are no beneath arch and appearance a lot of acutely that his aptitude was ashen during his Stones years. It is accurate that the complete superior is not perfect, but because that this is a semi-bootleg from the mid-sixties, the complete is bigger than ability be expected.
CREDITS
Henry Lowther (Trumpet), Dick Heckstall-Smith (Sax (Soprano)), Mick Taylor (Performer), Jack Bruce (Guitar (Bass)), Mick Taylor (Guitar), Steve Thompson (Bass), John Mayall (Performer), Tony Reeves (Bass), John Mayall (Harmonica), Tony Reeves (Guitar (Bass)), Jack Bruce (Performer), Hughie Flint (Drums), Dick Heckstall-Smith (Saxophone), John Mayall (Guitar), Chris Mercer (Sax (Tenor)), Jon Hiseman (Drums), John Mayall (Slide Guitar), Steve Thompson (Guitar (Bass)), Eric Clapton (Performer), John Mayall (Organ), John Mayall (Vocals), Jack Bruce (Bass), John Tracy (Liner Notes), John Mayall (Keyboards), Eric Clapton (Guitar), Colin Allen (Drums)
TRACK LISTING
37 - John Mayall - Primal Solos (1977)
1 Intro - Maudie 02:27 128 kbps 2.25 MB
2 It Hurts To Be In Love 03:20 128 kbps 3.05 MB
3 Have You Ever Loved A Woman 06:41 128 kbps 6.12 MB
4 Bye Bye Bird 03:49 128 kbps 3.49 MB
5 Hoochie Coochie Man 03:52 128 kbps 3.54 MB
6 Intro - Look At The Girl 06:42 128 kbps 6.14 MB
7 Wish You Were Mine 08:34 128 kbps 7.84 MB
8 Start Walkin' 08:23 128 kbps 7.68 MB
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ALBUM REVIEW: John Mayall - The Last Of The British Blues (1978)
Posted by William Ruhlmann on 28th Jan 2010
This was the endure of the six albums John Mayall originally fabricated for Blue Thumb/ABC Records amid 1975 and 1978, about which he has said, "ABC appear six of my albums as a tax write-off. A anniversary afterwards they were appear you couldn't acquisition them in any store." It's a reside anthology on which Mayall fronts a quartet consisting of guitarist James Quill Smith (who sings advance on several songs), bassist Steve Thompson, and bagman Soko Richardson. The access is rock-oriented, and the set account includes such Bluesbreakers favorites as Mose Allison's "Parchman Farm," and Freddie King's "Hideaway" (taken at a agitated tempo), forth with the accepted accompaniment of all-encompassing Mayall originals, a part of them, a accommodate of "The Bear," from Blues From Laurel Canyon.
I can hardly accept myself how solid this absolution is. I just best up a abreast excellent archetype on vinyl this weekend and was I destroyed abroad by this outstanding relase. This is an capital recording from an capital dejection man. Please accord this a try on vinyl if you can acquisition it!
THE LAST OF THE BRITISH BLUES:
Recorded at ABC Studios, Los Angeles, California in March, 1977.
Personnel: John Mayall (vocals, clavinet, piano, harmonica, guitar); James Quill Smith (guitar, vocals); Ann Patterson (flute); Buddy McDaniel, Trevor Laurence (saxophone); Cliff Ervin, Steve Madiao (trumpet); Bradford Henry Thoelke III, Jim Price (trombone); Steve Thompson (bass); Soko Richardson (drums); Jody Linscott (percussion); Pepper Watkins, Edna Richardson, Rebecca Burns, Mindy Mickel, Marilyn Scott (background vocals).
2 LPs on 1 CD: A HARDCORE PACKAGE (1977)/THE LAST OF THE BRITISH BLUES (1978).
A HARD CORE PACKAGE:
Personnel: John Mayall (vocals, guitar, harmonica, piano, clavinet); James Quill Smith (vocals, guitar); Ann Patterson (flute); Buddy McDaniel, Trevor Laurence (saxophone); Cliff Ervin, Steve Madiao (trumpet); Bradford Henry Thoelke III, Jim Price (trombone); Steve Thompson (bass); Soko Richardson (drums); Jody Linscott (percussion); Pepper Watkins, Edna Richardson, Rebecca Burns, Mindy Mickel, Marilyn Scott (background vocals).
Personnel: John Mayall (vocals, guitar, harmonica, clavinet); James Quill Smith (vocals, guitar); Steve Thompson (bass); Soko Richardson (drums); Pepper Watkins, Marty Gwynn, Donna Washburn, Marilyn Scott, Judy Brown, Coleen, Maureen (background vocals).
Personnel: John Mayall (vocals, guitar, harmonica, piano, Clavinet); James Quill Smith (vocals, guitar); Pepper Watkins, Marty Gwynn, Judy Brown, Marilyn Scott, Donna Washburn (vocals); Ann Patterson (flute); Buddy McDaniel, Trevor Lawrence (tenor saxophone); Clifford J. Ervin, Steve Madaio (trumpet); Bradford Henry Thoelke III (trombone); Soko Richardson (drums); Jody Linscott (percussion).
Liner Note Author: Tony Russell.
Recording information: ABC Studios, Los Angeles, CA.
Photographer: John Mayall
Credits
Soko Richardson (Drums), John Mayall (Clavinet), Pepper Watkins (Vocals), Judy Brown (Vocals), John Mayall (Vocals), Maureen (Vocals), John Mayall (Keyboards), Marty Gwinn (Vocals), John Mayall (Guitar), Judy Brown (Vocals (Background)), Pepper Watkins (Vocals (Background)), Donna Washburn (Vocals), Beckie Burns (Vocals), Marilyn Scott (Vocals), Steve Thompson (Guitar (Bass)), James Quill Smith (Vocals), James Quill Smith (Guitar), Marty Gwynn (Vocals (Background)), John Mayall (Harmonica), Donna Washburn (Vocals (Background)), Colleen (Vocals), Marilyn Scott (Vocals (Background)), Maureen (Vocals (Background)), Steve Thompson (Bass), Coleen (Vocals (Background)), John Mayall (Producer)
TRACK LISTING
Hard Core Package/The Last Of The British Blues CD DISC 1:
1.Rock and Roll Hobo
2.Do I Please You$0.99
3.Disconnected Line$0.99
4.Old Sweet Picture, An
5.Last Time, The
6.Make Up Your Mind
7.Arizona Bound$0.99
8.Now and Then$0.99
9.Goodnight Dreams$0.99
10.Give Me a Chance
Hard Core Package/The Last Of The British Blues Songs DISC 2:
1.Tuscan Lady
2.Parchman Farm $0.99
3.There's Only Now
4.Teaser, The
5.Hideaway$0.99
6.Bear, The
7.Lonely Birthday$0.99
8.Lowdown Blues
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John Mayall Review
Posted by LESTER BANGS on 14th Jan 2010
John Mayall seems like a absolute nice guy. Enjoying a continued cord of hit dejection albums, he has about added than paid his dues. When he was still recording the plan of his atramentous mentors, he consistently accustomed accurately and apparently they got the royalties so generally ripped off. He ran a finishing academy for Young Turk musicians like no added in rock. Each of his contempo albums has independent accessible account bulletin on capacity of importance, and his latest, arch off with an ecological epistle, even contains a table of domiciliary hints advantageous for alone activity in the war adjoin pollution. Clearly, whatever the acknowledgment to such efforts, John Mayall is a aboveboard man who cares both about the accompaniment of the apple and his audience's acquaintance of it.
All that said, we are affected to advance to the beneath affable assignment of assessing Mayall's music. Ever back the endure brace of Dejection Breakers albums, John has been accumulation assorted elements into his music and auctioning them at a leisurely, beginning pace. Through all this however, the basal apparatus formed with by Mayall and his sometimes ablaze juxtapositions of sidemen accept remained so changeless that cipher even expects them to change.
In a way, you can't absolutely criticize albums like Empty Rooms and USA Union at all. Technically they're just about absolute (and able-bodied they should be, by this time), and John Mayall admirers will, I suspect, bath in them like alternate holidays, never carper the compatible superior of the next absolution and never allurement for added than they get. Others will admission that these albums appearance categorical musicianship, but add that they accept to force themselves to apprehend what's playing.
At atomic the aggregation is good: Larry Taylor from Canned Heat on bass; guitarist Harvey Mandel of the Muzak-rock anthology and ancient account to Canned Heat; and the abundant violinist from the Johnny Otis Appearance and Hot Rats, Sugarcane Harris. As accepted with Mayall, however, soloists who may be ablaze abroad about-face in nice, competent performances that abridgement capital blaze in the aforementioned way that so abundant of Mayall's music, including some of his "rawest" late-Blues Breakers sides, seems just a adumbration too placid.
Taylor mostly settles for ensuring the drumless ensemble a connected basal pulse, Mandel's plan is sure-handed but hardly inspiring, and alone Harris leaps out occasionally, experimenting auspiciously with wah-wah violin and spinning out a haunting, gypsyish abandoned on "Nature's Disappearing." As for the compositions, they're boilerplate Mayall. Read the lyrics and you can already apprehend the melody in your head: "My appealing babe sitting in her allowance of red/My appealing babe lying on her bristling bed/Pretty as the moonlight/I alone wish to amusement her appropriate ..." etc.
Chico Hamilton led a alternation of quiet quartets and quintets in the mid-Fifties that played a rather aerial cast of applesauce that came to be alleged Alcove Applesauce Mayall's contempo bands aswell are alcove groups, and they ache in allegory to the added activating elements of today's music absolutely as Hamilton's did next to harder bop—by an affected subtlety so under-stated it broaches accomplishments music. USA Union is a actual affable album, and I apprehend to accumulate it, but alone to play at assertive times and for assertive purposes. If the Stones are speed, and Van Morrison is accomplished red wine, Mayall in 1970 is authentic Librium — safe, soothing, non-toxic, non-habituating and actual specific. (RS 73)
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